![]() Goupil Gallery, London, April–May 1889, no. ![]() Like Impression, Sunrise, it is incorrectly dated there to 1873. In the four-volume catalogue raisonné of Monet’s paintings compiled by Daniel Wildenstein, The Port of Le Havre, Night Effect is listed as no. 1864, National Galleries of Scotland, Edinburgh) and three night views of Leicester Square in London, painted around 1900–01. Despite the seeming abstraction of their visual language, both works bear witness to the artist’s pursuit of an authentic rendering of the motif under specific conditions of weather and light.Īside from this work, Monet’s oeuvre of over two thousand paintings includes only four other night scenes: the painting A Seascape, Shipping by Moonlight(ca. The true subject of this stylistically radical work is the flickering of these ultra-modern lights and their reflection on the gently rippling water-unlike the contemporaneous Impression, Sunrise, where Monet explored the reddish shimmer of dawn spreading slowly over the port. The evenly spaced white dots in a horizontal row in the background, however, represent the gas lanterns that had been installed beginning in 1869. A number of red and green lights are also clearly visible, including one at the end of the southern landing stage as well as two side lights on moving boats. The two glowing white dots in the upper left of the picture space represent masthead lights, which were required for steamships and could be seen from a great distance in fair weather, even in the dead of night. Historical photographs, as well as documentation related to the installation of the lighting in Le Havre, demonstrate that Monet rendered the contours of the port with topographical precision. At first glance, the motif of the industrial harbor with its artificial illumination is difficult to discern through the loose, sketch-like brushstrokes. Monet painted The Port of Le Havre, Night Effect in 1872 as a pendant to his seminal work Impression, Sunrise (1872, Musée Marmottan Monet, Paris), which attracted attention at the first Impressionist exhibition in 1874. Impression, Sunrise is housed in the Musée Marmottan Monet in Paris, France, and is estimated to be worth between $250 to $350 million.Monet had spent his childhood and youth in Le Havre, a city in Normandy with the second largest port in France, and he repeatedly depicted both the picturesque cliffs along the Atlantic coast and the port area of the economically ambitious region. Monet’s influence is still felt today in other art movements such as Abstract Expressionism, Pop Art, and Minimalism. Monet’s style focused on capturing the effects and changes of the natural environment, utilizing luminance and colors to emphasize form and subject matter. His most famous painting, Impression, Sunrise (1872), gave the art movement its name and marked a turning point in how reality was depicted in art. ![]() LegacyĬlaude Monet is widely regarded as one of the most influential artists from the 19th century, and a pioneer of the Impressionism art movement. The painting has come to be known as the painting that marked the name for the Impressionists, and Monet is often quoted as having said in an interview that a landscape is “only an impression” and something that is “instantaneous”, and that this is why they are called Impressionists. Critics and journalists responded positively to Monet’s painting, with Théodore Duret explaining that Monet presented a “striking sensation of the observed scene” and Jules-Antoine Castagnary writing that the Impressionists focused on producing the “sensation” inherent in the landscape. Monet’s Impression, Sunrise (1872) was a painting that was quite different from other artworks of the time, as it challenged the conservative rules of expression and art. The painting is viewed from a slightly elevated vantage point, which gives a sense of grandeur and scale to the painting. Monet’s use of brushstrokes conveys a departure from the traditional style of painting, and could have been his way of expressing his individuality and desire for spontaneous expression. Monet utilized color and light in the painting to convey the early hours of the morning, using cooler blue-grayish tones and the orange from the rising sun. Paul Tucker proposed that Monet’s painting was a reference to the rebuilding of France after the war with Prussia in 1870. The painting is seen as a meeting point between the water and the sky, with the harbor and its ships in the middle ground. Impression, Sunrise (1872) by Claude Monet is a painting that depicts a harbor in Le Havre, France.
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